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Re: The Number sign—now and then—across languages.
I prefer often to have it straight upright in a Regular font, vs. slanted in an Italic. The horizontal bars are basically just horizontal. A horizontal stress is sort of standard, I’d say.This is how…3 -
Re: How do you folks handle quality control?
It can become overwhelming and almost unmanagable with more extended font families. I found it most helpful a) to establish a structured plan of work steps in advance and write them down in a records…6 -
Re: Eau de Garamond — a sans distilled from the essence of Garamond
and yet, the diagonal part of Eszett is still too steep. This is also a matter of balancing the inner space with the adjacent right space (look at ẞS or ẞB). The strong bended terminal (bottom) is to…1 -
Re: How's my pixely Greek?
it is interesting in which parts greek capitals, in an emphasized ductus, depart from the basic principle vertical-strong vs. horiz.-light. Have another look at a traditional Didone Greek and then ex…1 -
Re: Æthelflæd
The idea of ‘modernizing’ a blackletter structure towards a more modern (Roman) appearance is actually a quite old one. I think it has been tried several times since the 1st half of the 19th centurey…4
